Collection
Historical Figures
The camera arrived far too late for most of them. So we made the photograph anyway. Wallace at the bridge. Bruce and the spider. Burns stopping the plough. Baird switching on the first televised face in 1926. Carnegie opening a library. Curie's shed glowing faintly blue at midnight. Portraits and moments, made from scratch.
500 pieces live · 399 in the studio queue · 7 curated sets
Freshly hung
Richard the Lionheart — Portrait 5
Emperors, Kings & Warriors
The Wright Brothers — Portrait 5
Inventors & Scientists
Archimedes — A harbour crane of ropes and levers
Inventors & Scientists
Katsushika Hokusai — Portrait 6
Masters of the Canvas
Ludwig van Beethoven — Portrait 3
Composers at Work
George Frideric Handel — Portrait 5
Composers at Work
Claude Monet — Portrait 2
Masters of the Canvas
Marie Curie — Portrait 1
Inventors & Scientists
Thomas Edison — Holding up the first long-burning filament lamp
Inventors & Scientists
Thomas Edison — Portrait 5
Inventors & Scientists
Ada Lovelace — Portrait 5
Inventors & Scientists
Admiral Lord Nelson — Raising a signal of duty before battle
Emperors, Kings & Warriors
The sets
Every figure gets six formal portraits and six cinematic scene moments.
Scottish Giants
Wallace to Baird — the people who built a small country's long shadow.
William Wallace and Robert the Bruce, Burns at the plough, Watt and the kettle, Bell's first words down a wire, Baird switching on the first televised face, Carnegie opening a library, Fleming and a stray petri dish.
1 live · 239 queued
Emperors, Kings & Warriors
Napoleon, Cleopatra, Boudica, Joan — power at the moment it turned.
Crossings, coronations and last stands. Command tents, war chariots, alpine passes and the quiet room where a decision gets signed.
106 live · 138 queued
Inventors & Scientists
Prisms, filaments, pitchblende and twelve seconds above wet sand.
Da Vinci's flying machine, Newton's shuttered room, Curie's laboratory glowing faintly blue at midnight, Lovelace's first algorithm, Tesla calm inside a storm of his own making.
196 live · 15 queued
Masters of the Canvas
The painters, painted — at the easel, not on the wall.
Michelangelo on his back beneath wet plaster, Turner lashed to a mast, Hokusai brushing a wave at dawn. Original portraits of the makers, never restagings of their work.
104 live · 3 queued
Composers at Work
Ink, candle wax and a deadline the night before the premiere.
Bach at the console, Beethoven conducting music he cannot hear, Mozart writing an overture at 2am, Chopin in firelight, Vivaldi teaching an orphanage orchestra.
27 live · 0 queued
Writers & Thinkers
Small desks, long nights, and sentences that outlived empires.
Shakespeare's upper room, Austen's twelve-sided table, the Brontës circling a parlour at night, Socrates in the marketplace, Confucius beneath an apricot tree.
33 live · 0 queued
Explorers & Pioneers
Ice, ocean, desert and the edge of the map.
Shackleton's crushed ship, Amundsen's dog team, Earhart's silver aircraft on grass, Zheng He's treasure fleet, Ibn Battuta alone on a caravan road.
33 live · 4 queued
Curator's note
Every figure in this collection is long deceased and firmly in the public domain. Nothing here is a copy, restaging or reproduction of an existing painting or photograph — each piece is an original composition built from period dress, tools, architecture and light.
A small number of twentieth-century names are handled differently. Where likeness rights are still live or contested, we render the era rather than the individual: the map room, the patent office desk, the chest-high writing shelf — figures seen from behind, at distance, or in shadow. Suggestive of the world, never a replica of the face.
Each piece is meta-tagged for the home office, living room and hallway, and ships as a signed archival print, stretched canvas, framed edition or full-wall mural.